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Magazine
The actor tapped AD100 firm Pierce & Ward to remodel the space while finding places for his trove of offbeat ephemera
By Rachel Wallace
Photography by Ty Cole
Styled by Colson Horton
Johnny Galecki with his wife, Morgan, and son. Fashion styling by Lindsey Dupuis Bledsoe.Hair and makeup by Lindsay Doyle
When a friend asked Johnny Galecki to describe the style of the Tennessee home he was renovating with AD100 designers Louisa Pierce and Emily Ward, he was stumped.
Then Pierce offered a solution: “She said, ‘Tell him it’s the inside of Johnny’s brain,’” recalls Galecki. “She’s right.” Pierce was referring to the eccentric ephemera Galecki has been collecting for years, which now live among a darkly whimsical mix of textures and patterns.
Best known for his role as Leonard on the CBS megahit sitcom The Big Bang Theory, which ran from 2007 to 2019, Galecki purchased the home in 2018 to fulfill a longtime dream of moving away from Hollywood. Born in Belgium and raised in Illinois, the actor, who first came to national attention as a member of the cast of Roseanne, moved to Los Angeles for work, living alone there at an age when most people are still in high school. “I never felt like much of an Angeleno,” he now admits. “And I did try. I say that with sadness, not with snobbery. Thirty years is just a very long time to live in a city that you’re not all that comfortable in.”
The family room ceiling is covered in Woodchip & Magnolia’s Broadhead Forest wallpaper, and the walls are painted in Benjamin Moore’s Passion Vine. The blue velvet RH Cloud sofa is lined with Pierce & Ward pillows. Portraits of Brigitte Bardot by Terry O’Neill and Keith Richards by Stephanie Pfriender Stylander hang behind a vintage chrome-and-wood pool table.
Welsh Blanket
Coiled Laundry Basket
Nightingale I Pillow
The Argo Flexi Wall Light
After years of entertaining “many fantasies of living in all the places I would travel, from Austin to Reykjavík,” he says, Galecki settled on the Nashville area. “Everywhere I looked, around here, felt like the scene of a future memory.” He fell in love with the first house he toured, and after numerous return visits—“I may have been showing my cards,” he admits—purchased this distinctive place.
Galecki has been told conflicting information about the provenance of his home, but this is what is known: It started as a log cabin built in “either 1801 or 1811—I’ve heard both,” he says. Then 1929 saw one addition, 2012 another, creating what is now a 12,000-square-foot, five-bedroom manse sitting on approximately 30 acres in an area just outside the city.
“While most remodels want to make the old new, our goal was very much the opposite,” says Galecki, explaining that the most recent addition received the “most drastic aesthetic transformation” and generally needed the most work. “Sadly, much modern workmanship and materials simply don’t compare to that of a hundred years ago.”
A dramatic red defines the library. A painting by Francis Zimbeaux hangs above the fireplace. Lighting includes a midcentury raw brass Sputnik chandelier, a pair of vintage Parisian holophane globe sconces, and a six-globe brass-and-glass floor lamp. A circa 1830s chest sits behind a bespoke sofa.
Heritage Red Paint
1930's Ozark Tourist Pottery Drip Vase
The Zig Zag Table
Scoppiare Polished Champagne Pendant Light
Galecki welcomed his first child, a son named Orbison, with former partner Alaina Meyer in November of 2019, and moved into his new home right before COVID hit. (He is now married to Morgan Galecki, who was expecting a child at the time of the photo shoot; daughter Oona Evelena was born soon after.) He’d never hired an interior designer before, and was always hesitant about a professional coming in and sterilizing his Gothic-leaning tastes, but he realized that the same quirky history that made him fall in love with his new home would also make it difficult to renovate and decorate on his own.
“With very limited knowledge of the area, resources, and relationships, and a little one running around, I thought, This is going to take me at least seven years to try to do by myself,” says Galecki. “Funnily enough, a friend saw the Pierce & Ward book, A Tale of Interiors. She had visited my farm and thought, Well, that looks like Johnny’s taste and perfect for that location.”
Johnny and Morgan Galecki in the family room.
Richmond Wallpaper
Modern Sofa
Terrace Floor Lamp
The friend hit the nail on the head with the recommendation of the design team. “I think this is the first interview I’ve agreed to do in almost four years, and it’s purely because I’m excited to rave about Emily and Louisa,” says Galecki. Known for their eclectic and moody spaces, the Los Angeles–and Birmingham-based pair admired that Galecki saw enough potential in the idiosyncratic home to even purchase it, and they soon learned that, unlike many clients, he’s a risk-taker.
“There was not a part of the house that wasn’t touched in the renovation,” says Pierce. But amid the completely new bathrooms and moving “every wall” of the primary suite, they honored the history of the home—bringing a curved sofa into the foyer to play off of the existing curved staircase, extending the stone that already existed in the kitchen and family room—while also bringing to life Galecki’s unique “haunted” sensibility. “We repurposed a lot of his stuff. He also just has really cool taste,” says Ward. Some of his most prized possessions, now on display, include an Italian foosball table from the 1950s, a vintage surgery kit, a collection of vintage glass eyes, and wax molds of Charlie Chaplin’s hands.
Galecki came to Pierce and Ward with an unusual vision for the primary suite. He wanted the bed to float in the center of the room, which they delivered, and he also told them he wouldn’t mind if they were to forgo bathroom walls. “I was like, yeah, but you want some kind of division, so let’s have this gorgeous window where you still feel totally connected, but you can have some separation,” says Pierce. Behind the custom-made bed is a dressing area with a dresser and mirror, opposite which is an oil painting facing outward, above the headboard.
“To get a client who lets you execute these crazy notions, it’s just such a dream,” says Ward, who calls the high-ceilinged space with board and batten walls “our favorite thing we’ve ever done.”
An RH cabin bed painted in Benjamin Moore’s Mystic Gold centers the nursery. The walls are covered in a Morris & Co. print, and the ceiling is clad in leather tiles from Mindthegap. Custom ottoman upholstered in Claremont Furnishing’s Tree of Life fabric; antique Persian rug from Nasir’s Oriental Rug Gallery.
A midcentury leather daybed stands in front of an overscaled Palladian window in the library. 1950s praying mantis floor lamp by J. Rispal; vintage leather stools; red glass car sculpture from Galecki’s collection.
Rockwell Basin on Frame
Ada Soap Dish
The final room completed in this funhouse of a home is also the actor’s favorite: the library. When the original plan for the room, distressed wood, simply wasn’t working, the designers showed Galecki “inspiration pictures of really bold-colored, high-lacquer-painted rooms,” explains Pierce. He fell in love with one in the Maison de la Luz Guest House in New Orleans, designed by Pamela Shamshiri of AD100 design firm Studio Shamshiri, and the next thing everyone knew, every inch of this last room was being painted fire-engine red.
“Johnny is just one of those people that forces you more outside of the box than you already thought you were,” says Ward. Pierce agrees: “I’d say he’s one of the only clients that we’ve ever had that has been like, I want this to be more interesting.”
Johnny Galecki’s Nashville home appears in AD’s March 2024 issue. Never miss an issue when you subscribe to AD.
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